BENTLEY BROWN

“Saint-Paul-de-Venice” (The Beginning of my life/Allegory of a shipwreck)

$20,000.00

Mixed-Media on canvas

144 x 60 in

2025

“Saint-Paul-de-Venice” (The Beginning of my life/Allegory of a shipwreck) draws inspiration from author and civil rights activist James Baldwin’s 1987 article for Architecture Digest, “Reflections on Home: Chez Baldwin”. Written a year before his death, in the article Baldwin chronicles his search for home and ultimately the meaning of “home.” In particular this painting draws from Baldwin’s equating of the search for home to the dynamics of a shipwreck where one searches endlessly for land, for respite from the search itself.

With a sweeping expanse of blue paint undulating in color, texture, and form, “Saint-Paul-de-Venice” recalling Baldwin’s path towards finding home, emulating his writing tone in visual form to express that the path towards discovering a house as a home is a rocky yet necessary road laden with memory, erasure, and ultimately hope for a serene respite.

“Saint-Paul-de-Venice” (The Beginning of my life/Allegory of a shipwreck)
$20,000.00

ABOUT BENTLEY BROWN

Bentley Brown is a multidisciplinary artist, curator, and adjunct professor of studio art and art history at Fordham University and the Parsons School of Design. He is the former curatorial director of the Brooklyn College Art Gallery, where his curated exhibitions included the first survey of works by pioneering photographer and historian of Black photography Deborah Willis.

As an art historian, his research explores the pioneering role of Black artists and Black creative spaces within New York City’s contemporary art movements of the late 1960s through the mid-1980s.

In his artistic practice, inspired by African American cultural production, Brown employs abstract and figurative expressionist approaches to the artistic process, utilizing mediums such as canvas, found objects, photo collage, photography, and film to explore themes of Black identity, cosmology, and American interculturalism.

PC: Justice Kelley

[SD / LA / NY, Sincerely]

This piece is featured in a group art show that examines how an artist's (or athlete's) world becomes unified via shared areas of influence, overlapping social circles and visual languages.

Register to join CKTH, Mott Projects & Friends on September 9, 2025: at Mi Casa Studios in the Lower East Side